Thomas is heading to the Minnesota state finals for Poetry Out Loud!

February 20th, 2010
Award ceremony at the 2010 Poetry Out Loud regional, Fergus Falls, MN

Award ceremony at the 2010 Poetry Out Loud regional, Fergus Falls, MN. Thomas McPhee (on far right) took first.


Last night was the 2010 Lake Regional competition as part of the national Poetry Out Loud competition. Morris Area High School (MAHS) had two students in the field, Thomas McPhee and Tim Ostby, and Thomas took first place! He and Ellen Ferry (who took second) will be among the 18 students from around Minnesota at the state finals in the wonderful Fitzgerald Theater in St. Paul, starting at 9:30am, Monday, 8 March 2010.

Thomas qualified for the state finals last year (along with MAHS student Alex McIntosh), so we had the good fortune to attend last year’s event. The quality of the performances was really exquisite, and I highly recommend the event to any fans of poetry and literature in the area.

Tim Ostby (the other MAHS student this year) placed fifth at the regional. Congratulations to him and all the other students that performed last night! While there were fewer competitors at the regional than last year, the quality of the performances was considerably stronger, and the venue (A Center for the Arts in Fergus Falls) was vastly better than last year’s (a classroom at a regional community college).

Thomas McPhee, David Johnson, and Tim Ostby at the 2010 Lake Regional for Poetry Out Loud

Thomas McPhee, David Johnson, and Tim Ostby at the 2010 Lake Regional for Poetry Out Loud. Thomas took first, and Tim took fifth.

A huge thanks to David Johnson, drama coach and english teacher at MAHS. Dave’s been a huge influence and support for Thomas in both theatre and Poetry Out Loud. It’s greatly to Dave’s credit that MAHS has had a student in the state finals of Poetry Out Loud each of the last four years (which is every year MAHS could have competed), with two in last year’s finals. Further, every MAHS student that’s gone to state has placed in the top 6: Anika Kildegaard took 2nd in 2007, Mary Hu won the state competition in 2008 and went on to the National Finals, and Alex McIntosh placed 4th and Thomas McPhee 6th in 2009. In fact Morris is the only high school in the state to place four students in the top 6 from 2007-2009, with no other school has placing more than two. Not a bad track record for a small rural high school. Thanks a ton to Dave for all his support and assistance!

Avatar

February 19th, 2010

Overrated. All the money is clearly on the screen, shame they didn’t spend any on the script. I so wanted this to be good and kept hoping to be drawn in and absorbed by the story but you really do need more that kick arse special effects to engage the entire human brain. There were a lot of tired old tropes present in this retelling of Pocahontas. You’d think by now, with the revolution of thought that has happened in the last one hundred years, the lone white guy wouldn’t get to save the day by out nativing the natives for the umpteenth time. Really?

Current temperature: here 9F/-13C, there 3C/37F

Legion

February 19th, 2010

Erratic. Well, this movie sure is all over the shop, from the sublime to the ridiculous and back again. It doesn’t seem able to make its mind up what on earth it is. Paul Bettany has never been better lit and has my full attention every moment he’s on screen. *ahem* Ocassionally there are subtle interesting images and a real sense of the oppression and desolation of the desert. Mostly though the trite music queues tell us exactly what every one is thinking and feeling and Dennis Quaid gives one of the worst acting performances ever. Ever! At least Charles S. Dutton looks like he’s having an absolute blast, which is the only way to deal with a mess of a project like this.

Current temperature: here 7F/-14C, there 4C/39F

I love my cool family!

February 14th, 2010
It's a shame they don't get along :-)

It's a shame they don't get along :-)


Welcome to Valentine’s Day, that annoyingly commercialized annual reminder that we’re actually supposed to care about the special people in our life. As Cory nicely put it

Proving you really care about someone is an achievement that takes effort everyday. Chocolate and flowers on a single day won’t do.

All that said, I figured it wouldn’t be amiss to let my family know how fabulous they are, a non-commercial sort of way of course :-).

The photo up top is from 9 years ago while we were living in the UK during our first sabbatical; Tom was 7 at the time, and Susan hadn’t yet cut off most of her hair. The strip below is from our second UK sabbatical 7 years later; now he’s taller than her and looking suspiciously like a young man instead of a little boy. Both give a sense of how fun it is to live with these two — there’s no question that I’m a lucky, lucky man.

It's a shame they don't get along (7 years later)

It's a shame they don't get along (7 years later)

It was interesting to see how few photos I have of the two of them together outside of the sabbaticals. Those two years are documented in excruciating detail, while our day-to-day here in Morris is much more sparsely recorded. There are moments, like when Tom’s on stage, where I take a billion photos, but I end up with very few photos of the two of them together.

I think this helps illustrate the value of these years we’ve had away from home. There’s something about stepping out of your “normal” life, leaving most of your stuff behind, and making a life (even if for just a year) in a new place. It shaves off a lot of the distractions and, for us at least, meant we spent more and different time together. Some of that is in the form of being tourists together (which is where these photos come from), but it’s also in the form of walking together because we didn’t own a car, and being together because the apartment was too small for us to easily be apart.

(And I realize that having this sort of opportunity just oozes privilege; most people don’t have the flexibility or resources to do this sort of thing once, let alone twice. I’m lucky in many, many ways.)

Happy Valentine’s Day to Sue and Tom!

A heartfelt plug for “A history of the world in 100 objects”

February 13th, 2010
Statue of Ramesses II at the British Museum

Ramesses II at the British Museum


The BBC in conjunction with the British Museum is putting on a new series this year, “A history of the world in 100 objects”. Neil MacGregor, Director of the British Museum, has chosen 100 objects from their remarkable collection to illustrate the sweep of human history, ranging from early stone axes through modern icons such as credit cards. Each object gets a 15 minute episode broadcast on BBC Radio 4, and available on-line and as a podcast.

They’ve finish 4 weeks (or 20 episodes), and the objects and their stories have been consistently engaging and informative. Some standouts have been the carving of the swimming reindeer, the Egyptian clay model of cattle, and the Rhind mathematical papyrus, but it’s awfully hard to choose favorites when the quality has been this good. If I had to pick just one out of what they’ve broadcast so far, it would probably be the Jomon pot episode. This type of pottery changed the way we understood the development of this crucial technology, and the way these objects were revered in Japan thousands of years later is quite wonderful. This particular pot, made some 7,000 years ago, was valued so highly a few hundred years ago that it was lined with gold and incorporated into the tea ceremony.

I’ve been to the British Museum several times over the years, and taken way too many photos there. (A few on my “main” Flickr account, and way too many on my events account.) One thing that’s been cool about the series is that in the first 20 episodes there was only one object that I remember seeing and actually photographed: The statue of Ramesses II up above. He’s huge and pretty hard to miss there next to the Rosetta Stone. Many of the objects in the series have been small and subtle, however, which nicely illustrates the value of a cool program like this. Some objects are pretty remarkable in and of themselves, but others benefit enormously from a guide who suggests we slow down and really look at this stone or that statue. Here MacGregor and his guests help us understand the significance, context, and impact of these objects, and totally make me want to go back to the Museum and seek these treasures out.

There are some other objects in the series that I’ve seen and photographed (such as the Assyrian Reliefs below), but most of them will be new to me. I’m eagerly looking forward to the remaining 80 episodes!

And the world just keeps rolling along

Detail from Assyrian Reliefs in the British Museum

On and On and On

February 13th, 2010

All the world’s a stage,
And all the men and women merely players.
Yet when it comes to love,
we sometimes depart the script.

In the face of what the silent audience expects of us secular thespians,
we surprise and confound them with our own volition.

Some would argue that all the little inconsequential choices we make
that slowly walk us up the hill of substance
is proof of destiny and the lack of our own free will.

I see it conversely,
that the fact that the universe exists exactly as you see it now
is a sign of the purest of chance.

(If a butterfly flaps its wings….)

It is this chance that startles me when I try to understand the world.

The miracle that the fine lady would bring all of us together
is so astonishing,
that it makes love seem so much more beautiful.

And because of the volatile nature of human existence
and the uncertainty of anything,
love is strong.

It needs to be, or else
it would never happen.

Shock And Awe

February 4th, 2010

Crowded

Shoving

Reaching forward

trying to get

a better look at what’s

right in front of their pretty pale faces.

The entirety of beauty and life stands in the marque happy to be.

The Guide

February 4th, 2010

I couldn’t trust the honesty in your face as you departed this world for the next,
telling me that this was my

1942

was the year my father died,
while so many people became alive again
he died and we wept and
the priest took us by the hand
and his were as weathered as stones
and he told us not to worry
for he was “in a better
place”. I knew this was a lie so
I wrote it down in a note book where
I now have every lie I’ve ever heard.
“I’ll be okay”
“Your mother loves you”
“You’re completely normal”
and now the most recent entry is
a drawing of your face with the blackened
bullet hole between your eyes
which you, my favorite brother,
got in return for
refusing to let my father’s honor be tarnished.
The last thing I write before I
toss the book out onto the street for someone
else to find and learn from is
“Fairness exists”

This poem was stylized after Albert Goldbarth’s Sentimental

21 Washington Road

February 3rd, 2010

The bathtub is full of bees waiting expectantly
for the honey to flow forth from the faucet.

The bed has long since burned away
the burning passion of who we were together,
and our life beneath the sheets.

The doorknob has become a snake
that will bite the hand that feeds and the hand that fights,
just always fighting.

The house is retreating back into the forests to be repainted with mold and life and death and the cycle that we all must abide by,
even though I wish I mustn’t.

The god you pray to wont solace me,
but I can’t bring myself to tell you to stop trying.

Pray harder,
then at least one will be happy.

Numerology

February 3rd, 2010

4 months gone, 6 years
left, and all eternity
at stake for me. Feel.

Flickr Uploadr is a pain, but Flickraw saved the day

January 30th, 2010

Thomas McPhee as Arnold in the MAHS 2010 production of "The boys next door" as a one-act

Tom as Arnold in "The boys next door"


Flickr’s Uploadr is fine for small uploads, but tends to die consistently and unpleasantly when I have several hundred photos to upload, like those from Thursday’s opening of “The boys next door”, this year’s Morris Area High School one-act. It almost always takes me several tries to get a large pool of photos uploaded, which is a pain, but not fatal. This time, however, it chose to upload them in a semi-random order, so then it died I had 80-ish photos scattered all across the show, which meant I couldn’t just delete the first K from the list and restart the upload. Ugh.

Because it was late and I was in a hurry, I ended up just uploading the whole set (over several attempts), but marked them as private so people wouldn’t end up seeing two copies of that first group of images, figuring I’d sort things out in the morning.

The morning came, and it turned out that I really didn’t have a workable plan. All the pictures were on Flickr, but there was no good (i.e., automated) way to figure out which were the duplicates. If I could identify them, then deleting the duplicates and making the rest visible would be easy, but I didn’t have a clue how to find the duplicates using Flickr’s tools.

Sigh.

This would, however, be pretty straight forward in a script if I had all the data I needed, and this is where Flickr redeemed itself. They have a very rich API for accessing (and modifying) photos and their associated information (like tags), so if I could figure out how to use that I’d be golden. I’d poked a little with some Ruby Flickr libraries in the past, but none of them ever seemed very complete and they were always struggling to stay on top of Flickr’s changes and extensions to the API. A little searching this time, however, turned up Flickraw, which uses some really nifty Ruby metaprogramming to essentially build the Ruby part of the API “on the fly”, ensuring that it will be complete and up-to-date all automagically!

It turns out that Flickraw was indeed powerful, flexible, and easy to use. After authenticating (following the example on the Flickraw web site), I was able to use it to pull down a list of all the photos from “The boys next door”

my_owner_id = "68457656@N00"
play_title = "The boys next door"
my_stream = flickr.photos.search(
              :user_id => my_owner_id,
              :text => play_title,
              :per_page => 500)

I then split that list into the initial set of publicly visible photos, and the photos I’d uploaded after things got screwy and kept private (i.e., visible only to me):

public_photos = my_stream.find_all {|photo| photo.ispublic == 1}
private_photos = my_stream.find_all {|photo| photo.ispublic == 0}

My next task was to determine which of the private photos were duplicates of one of the public photos people were already looking at. All I really needed was the list of duplicates, but I decided to create lists of both the duplicates and the non-duplicates. I had to compare titles here because the Flickr IDs would be different; as far as Flickr knew they were all different photos. Happily, I had named them in a way that they each had a unique title, so if two photos had the same title, I knew they were the same shot uploaded twice.

dups = []
non_dups = []
private_photos.each do |photo|
  public_duplicate = public_photos.find { |pub| photo.title == pub.title }
  if public_duplicate
    dups.push(photo)
  else
    non_dups.push(photo)
  end
end

At this point, I could apply tags to all the photos in the two groups, and all the rest of the fiddling could be done through Flickr’s web tools:

non_dups.each do |photo|
  flickr.photos.addTags(:photo_id => photo.id,
                        :tags => "to_keep")
end

dups.each do |photo|
  flickr.photos.addTags(:photo_id => photo.id,
                        :tags => "to_delete")
end

I could have actually done everything with the Ruby script (delete the duplicates, change the remaining images to publicly visible, and add them to the appropriate set), but wanted to do that via Flickr so I could see what was happening as I went. And once the tags were in place, the work in Flickr was quite straightforward. The result: A set of 339 images that contains all the photos I uploaded, with no duplicates, all accomplished without deleting any of the original uploads.

Big thanks to Maël Clérambault, the author of Flickraw, for his excellent little library, and thanks to Flickr for providing this very nice set of API calls. (Now go fix Flickr Uploadr, damnit!)

As for the play – I just heard that they took second at today’s sub-sections competiton, which means they move on to sections next week, and Tom got a star performance award! Congratulations all!

Traveling through time (and figuring out a few new things about RAW)

January 23rd, 2010

Traveling through time

Traveling through time


Another from that gorgeous sunset behind the wind farm at Buffalo Ridge (near Lake Benton, MN).

KK and I got off US 75 on Norwegian Creek Road, which is what’s heading off in front of us here. The GPS, which was a bit confused about our little photo detour, actually suggested we continue down this gravel road and wander the backroads for a while. After breaching a few snow drifts across the road, we decided this wasn’t such a great idea in extremely cold weather with night fast coming on. We turned around and made it back to the blacktop safe and sound, and remained on more substantial roads the remainder of the journey.

I’ve often struggled with different ways of pulling out the useful information in both strong highlights and deep shadows, but somehow in all these photos I’d never learned (or figured out on my own) about multi-RAW processing. RAW is really nice and gives you a ton of flexibility, even though it takes up a lot more space. There’s a lot of great data there, but you have to learn to use it. I’d figured a lot of stuff out by just digging around in Photoshop and on-line, but somehow I’d totally missed this multi-RAW idea. I got a copy of The Photoshop darkroom for Xmas, however, and it’s really opened my eyes to some possibilities I’d been missing before.

Here I essentially pulled two images from the raw data on the camera. One was adjusted for the sky (keep the exposure down to saturate those great colors), and the other for the ground (crank up the exposure so you get some detail in the road and the snow). Then you lay those two versions on top of each other, and use a mask to merge them. It look a reasonable amount of futzing (maybe an hour, but I was fairly new to the whole masking thing), but the result was far cooler than I could have gotten by attempting to adjust the original image in toto.

The color is a little richer if you view this in a context that respects color profiles. Everyone who’s not in such a context will just have to take my word for it :-).

Sunset at the Buffalo Ridge wind farm

January 18th, 2010
Sunset at the Buffalo Ridge wind farm

Sunset at the Buffalo Ridge wind farm

Last week I drove to a workshop in Madison, SD, with Kristin Lamberty (one of my Computer Science colleagues here at UMM). On the way, we went south on US 75, along the east side of the Buffalo Ridge wind farm, and there was a really gorgeous sunset behind them as we came into Lake Benton, MN.

KK was kind enough to let me stop and take some photos. This is one :-).

I haven’t actually messed with the colors here, except for deliberately underexposing the photo in the first place to saturate the colors. It really was a very cool sunset.

A neat use of some of my photos

January 15th, 2010

So different from in the winter

So different from in the winter


When I came back from the holidays I had a very pleasant surprise waiting for me in my office mailbox: A 2010 calendar from Schloss Dagstuhl. Each month has a small day grid at the top, and one or two photos of Dagstuhl below; the photos for each month are actually the front of a postcard that you can separate from the calendar and use.

The cool part is that most of the photos are mine! This set on Flickr shows all the photos they used, although many of them actually look much better in the calendar. Their staff did a really great job of straightening, cropping, and adjusting the lighting on the shots that they used, and it really made the photos look really nice. Thanks to whoever did the excellent work! Christian Lindig informs me (see the comments) that the design work was done by Margot Behr. Thanks for the great work, Margot!

It was really weird when I first looked at the calendar, because I really wasn’t sure how many of the photos were mine. There were two or three that I immediately recognized as mine (like the image at the top), but there were quite a few indoor detail shots that seemed like the kind of thing that I’d take (like the dragon below), but which I didn’t really recognize. There were also several of buildings that could have been mine, but could have been taken by most anyone. Going through, them, though, I was able to determine that all but two were in fact mine. The cropping (and to a lesser degree the cleaning) that the Dagstuhl folks did often threw me as it sharpened the focus in cool ways that I hadn’t seen or thought of.

Iron dragon at Dagstuhl

Iron dragon at Dagstuhl


The Flickr set has the 13 photos they used, in the order that they appear in the calendar. (Three of the cards are composites of two photos, which is why there’s more than 12 photos.)

There are two photos in the calendar that aren’t mine, both taken in specific conditions that I’ve never been there for. One is a really cool panorama with a beautiful fresh coating of snow and the other is the grounds around the chapel in the summer.

Faceless

January 11th, 2010

The second hand flows smoothly
then sticks to the black eight like the shipwrecked to the last raft,
the last hope,
before heading back to twelve.

Doomed to repeat,
dizzy from the endless heat,
this all seems all too familiar.

Me,
like this,
and those who bared their fangs are now
at my throat ready to bite down,
clamp on sweet victory over the evil
that terrorized their lives.

I think this fate is fair.

The Well

January 7th, 2010

and its waters were older than Methuselah’s bones,
and this water was fed to us all.

We all received
but some got more.
We all received
but some did more.

The few went out
and took their intake and made
it intake for others,
kept the water flowing as if they were
the river of life.

But what will come of the day when,
we aren’t allowed at the well,
when it’s all but wet
and all the water is called cheap imitation.

Selective Pyromania

January 4th, 2010

It
sees
and knows the
game I’ve been playing tonight.
When a vast image out of Spiritus Mundi
troubles my sight; shows me the fraud I really have become.
I lit two fires, but now I return to the camp and kill the one
                                                                  whilst stoking the other.

Lights In The Sky (2)

January 4th, 2010

But then I realized,
it’s just the poison.

“It makes the whole world a little bit brighter”
before it makes it dark.

And here,
here is where I choose
how dark it gets.

It is simply terrifying.

Lights In The Sky

January 3rd, 2010

Everyone expects us all to do It,
the culmination of every single one of their
expectations.

They can’t see us breaking the pattern,
acting in any way outside of the box,
the box that is routine.

So when we do,
everyone blinks a few extra times.
Things just seem brighter.

Long Lost Tongues

January 3rd, 2010

The dead tell much more interesting stories than the living.

All we want to talk about is now and ahead,
like the arrow’s path,
always aiming for the next target.

They,
they don’t talk at all,
and the silence,
the pale faces,
that’s what really makes us think like Black Hawk Down.
Behind enemy lines.

Behind the lines of modern thinking,
back into our roots,
the oak tree in our yard.

The dead carry no vanity,
they only carry what clothes they’re buried in,
as they step into the boat
to take them across the styx.